The Defence of Poesie.
Lucretia whom he neuer saw, but painteth the outward bewty of such a vertue. For these third be they which most properly do imitate to teach & delight: and to imitate, borrow nothing of what is, hath bin, or shall be, but range onely reined with learned discretion, into the diuine consideration of what may be and should be. These be they that as the first and most noble sort, may iustly be termed Vates: so these are waited on in the excellentest languages and best vnderstādings, with the fore described name of Poets. For these indeed do meerly make to imitate, and imitate both to delight & teach, and delight to moue men to take that goodnesse in hand, which without delight they would flie as from a stranger; and teach to make them know that goodnesse wherunto they are moued: which being the noblest scope to which euer any learning was directed, yet want there not idle tongues to barke at them. These be subdiuided into sundry more speciall denominations. The most notable be the Heroick, Lyrick, Tragick, Comick, Satyrick, Iambick, Elegiack, Pastorall, and certaine others: some of these being tearmed according to the matter they deale with, some by the sort of verse they liked best to write in, for indeed the greatest part of Poets, haue apparelled their poeticall inuentions, in that numbrous kind of writing which is called vers. Indeed but apparelled verse: being but an ornament and no cause to Poetrie, since there haue bene many most excellent Poets that neuer versefied, and now swarme many versefiers that need neuer answere to the name of Poets. For Xenophon who did imitate so excellently as to giue vs effigiem iusti imperii, thepour-
