Page:The Dial (Volume 73).djvu/780

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662
LONDON LETTER

ority: it was her understanding of the people and sympathy for them, and the people's recognition of the fact that she embodied the virtues which they genuinely most respected in private life, that raised her to the position she occupied at her death. And her death is itself a significant moment in English history. I have called her the expressive figure of the lower classes. There has been no such expressive figure for any other class. The middle classes have no such idol: the middle classes are morally corrupt. That is to say, it is themselves and their own life which find no expression in such a person as Marie Lloyd; nor have they any independent virtues as a class which might give them as a conscious class any dignity. The middle classes, in England as elsewhere, under democracy, are morally dependent upon the aristoracy, and the aristocracy are morally in fear of the middle class which is gradually absorbing and destroying them. The lower classes still exist; but perhaps they will not exist for long. In the music-hall comedians they find the artistic expression and dignity of their own lives; and this is not found for any life in the most elaborate and expensive revue. In England, at any rate, the revue expresses almost nothing. With the dwindling of the music-hall, by the encouragement of the cheap and rapid-breeding cinema, the lower classes will tend to drop into the same state of amorphous protoplasm as the bourgeoisie. The working-man who went to the music-hall and saw Marie Lloyd and joined in the chorus was himself performing part of the work of acting; he was engaged in that collaboration of the audience with the artist which is necessary in all art and most obviously in dramatic art. He will now go to the cinema, where his mind is lulled by continuous senseless music and continuous action too rapid for the brain to act upon, and he will receive, without giving, in that same listless apathy with which the middle and upper classes regard any entertainment of the nature of art. He will also have lost some of his interest in life. Perhaps this will be the only solution. In a most interesting essay in the recent volume of Essays on the Depopulation of Melanesia the great psychologist W. H. R. Rivers adduces evidence which has led him to believe that the natives of that unfortunate archipelago are dying out principally for the reason that the "Civilization" forced upon them has deprived them of all interest in life. They are dying from pure boredom.