a little mainspring or instinct of its own, like a parasite; so that an elaborate mechanism is gradually developed, where each lever and spring holds the other down, and all hold the mainspring down together, allowing it to unwind itself only very gradually, and meantime keeping the whole clock ticking and revolving, and causing the smooth outer face which it turns to the world, so clean and innocent, to mark the time of day amiably for the passer-by. But there is a terribly complicated labour going on beneath, propelled with difficulty, and balanced precariously, with much secret friction and failure. No wonder that the engine often gets visibly out of order, or stops short: the marvel is that it ever manages to go at all. Nor is it satisfied with simply revolving and, when at last dismounted, starting afresh in the person of some seed it has dropped, a portion of its substance with all its concentrated instincts wound up tightly within it, and eager to repeat the ancestral experiment; all this growth is not merely material and vain. Each clock in revolving strikes the hour, even the quarters, and often with lovely chimes. These chimes we call perceptions, feelings, purposes, and dreams; and it is because we are taken up entirely with this pretty music, and perhaps think that it sounds of itself and needs no music-box to make it, that we find such difficulty in conceiving the nature of our own clocks and are compelled to describe them only musically, that is, in myths. But the ineptitude of our aesthetic minds to unravel the nature of mechanism does not deprive these minds of their own clearness and euphony. Besides sounding their various musical notes, they have the cognitive function of indicating the hour and catching the echoes of distant events or of maturing inward dispositions. This information and emotion, added to the incidental pleasures in satisfying our various passions, make up the life of an incarnate spirit. They reconcile it to the external fatality that has wound up the organism, and is breaking it down; and they rescue this organism and all its works from the indignity of being a vain complication and a waste of motion.
That the end of life should be death may sound sad: but what other end can anything have? The end of an evening party is to go to bed; but its use is to gather congenial people together, that they may pass the time pleasantly. An invitation to the dance is not rendered ironical because the dance cannot last for ever; the youngest of us and the most vigorously wound up, after a few hours, has had enough of sinuous stepping and prancing. The
