many racks. Innumerable drawers contained specimens of the greatest lacquer ware of Korin, Shunsho, Kajikawa, Koyetsu, and Kitsuo, each in its wadded brocade fukusa with the light wooden box encasing all. In more glass cabinets stood netsuké and okimono of ivory, bronze, wood, and lacquer. There were a few gods and goddesses, and conspicuous among them two life-sized gilt Buddhas beamed mildly over all from the shelves on which they were raised. By the operation of natural selection it came about that the choicest of all Mr. Deacon's possessions were collected in these rooms. Here were none of the great cumbersome pots, good in their way, but made of old time merely for the European market. Of all that was Japanese every piece was of the best and rarest, consequently, in almost every case, of small dimensions, as is the way of the greatest of the wares of old Japan. And of all the precious contents of these rooms everything was oriental in its origin except the contents of one case, which displayed specimens of the most magnificent goldsmiths' and silversmiths' work of medieeval Europe. It stood in the room which Mr. Loftus Deacon used as his sitting-room, and more than one of his visitors
