Page:The Dramas of Aeschylus (Swanwick).djvu/269

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The Persians.
199

their sister, whose abduction by Zeus was represented by Persian literati as the first act of the conflict between the Eastern and the Western world: this version of the Phineus legend would offer, as remarked by Gruppe, an obvious link of connection with the Persian war. There are other versions of the story which, notwithstanding some discrepancies as to the genealogy of Phineus, and the circumstances of his blindness, agree in investing him with the prophetic character, and in bringing him into connection with the Argonauts, the grand national adventurers of Hellas.

In the single extant fragment of the Æschylean Phineus reference appears to be made to the Harpies:

Καὶ ψευδόδειπνα πολλὰ μαργώσῃς γνάθου
ἐρρυσίαζον στόματος ἐν πρώτῃ χαρᾷ.

Phineus, according to the ancient legend, was delivered from the Harpies by the Boreades;[1] and it is related by Apollonius (xi. 317) that, after his deliverance, he prophesied, and foretold to the Argonauts the successful issue of their enterprise. In accordance with the spirit of the age, which linked together the successive conflicts between Europe and Asia, the expedition of the Argonauts, with that of the Hellenes against Ilium, is associated, by Herodotus, with the Persian

  1. Gruppe refers to two paintings upon ancient Greek vases, where Phineus is represented surrounded by the Argonauts, with the Harpies driven away by the Boreades. In Ruskin's 'Queen of the Air' (p. 24), the reader will find an interesting exposition of the signification of the Harpies, and of the antagonism subsisting between them and the Boreades.