to do with his money when he got it, except use it to make more, or throw it away. Probably, since human society began, it had seen no such curious spectacle as the houses of the San Francisco millionaires on Nob Hill. Except for the railway system, the enormous wealth taken out of the ground since 1840, had disappeared. West of the Alleghenies, the whole country might have been swept clean, and could have been replaced in better form within one or two years. The American mind had less respect for money than the European or Asiatic mind, and bore its loss more easily; but it had been deflected by its pursuit till it could turn in no other direction. It shunned, distrusted, disliked, the dangerous attraction of ideals, and stood alone in history for its ignorance of the past.
Personal contact brought this American trait close to Adams's notice. His first step, on returning to Washington, took him out to the cemetery known as Rock Creek, to see the bronze figure which St. Gaudens had made for him in his absence. Naturally every detail interested him; every line; every touch of the artist; every change of light and shade; every point of relation; every possible doubt of St. Gaudens' correctness of taste or feeling; so that, as the spring approached, he was apt to stop there often to see what the figure had to tell him that was new; but, in all that it had to say, he never once thought of questioning what it meant. He supposed its meaning to be the one common-place about it,—the oldest idea known to human thought. He knew that if he asked an Asiatic its meaning, not a man, woman or child from Cairo to Kamschatka would have needed more than a glance to reply. From the Egyptian Sphinx to the Kamakura Daibuts; from Prometheus to Christ; from Michael Angelo to Shelley, art had wrought on this eternal figure almost as though it had nothing else to say. The interest of the figure was not in its meaning, but in the response of the observer. As Adams sat there, numbers of people came, for the figure seemed to have become a tourist fashion, and all wanted to know its meaning. Most took it for a portrait-statue, and the remnant were vacant-minded in the absence of a personal guide. None felt what would have been a nursery-instinct to a Hindu baby or a Japanese jinrickshaw-runner. The only exceptions were the clergy, who taught a lesson even deeper. One after another brought companions there, and, apparently fascinated by their own reflection, broke out passionately against the expression they felt in the
