Anthony and Elizabeth Browne, children of Anthony, first Viscount Montague, married Mary and Robert, children of Sir William Dormer of Eythorpe, Bucks., in 1572 (cf. ch. v).
ENTERTAINMENTS
See s.v. Lee, Woodstock Entertainment (1575) and ch. xxiv, s.v. Kenilworth Entertainment (1575). THOMAS GOFFE (1591-1629). Selimus and the Second Maiden's Tragedy have been ascribed to him, but as regards the first absurdly, and as regards the second not plausibly, since he only took his B.A. degree in 1613. His known plays are later in date than 1616. ARTHUR GOLDING (1536-1605 <). Arthur was son of John Golding of Belchamp St. Paul, Essex, and brother-in-law of John, 16th Earl of Oxford. He was a friend of Sidney and known to Elizabethan statesmen of puritanical leanings. Almost his only original work was a Discourse upon the Earthquake (1580), but he was a voluminous translator of theological and classical works, including Ovid's Metamorphoses (1565, 1567). Beza's tragedy was written when he was Professor at Lausanne in 1550 (Creizenach, ii. 456).
Abraham's Sacrifice. 1575
1577. A Tragedie of Abrahams Sacrifice, Written in french, by Theodore Beza, and translated into Inglish by A. G. Finished at Powles Belchamp in Essex, the xj of August, 1575. Thomas Vautrollier. [Woodcuts, which do not suggest a scenic representation.]
Edition by M. W. Wallace (1907, Toronto Philological Series).
HENRY GOLDINGHAM (c. 1575).
A contributor to the Kenilworth and Norwich entertainments (cf. ch. xxiv, C) and writer of The Garden Plot (1825, Roxburghe Club). Gawdy, 13, mentions 'a yonge gentleman touard my L. of Leycester called Mr. Goldingam', as concerned c. 1587 in a street brawl.
WILLIAM GOLDINGHAM (c. 1567).
Author of the academic Herodes (cf. App. K).
HENRY GOLDWELL (c. 1581).
Describer of The Fortress of Perfect Beauty (cf. ch. xxiv, C).
STEPHEN GOSSON (1554-1624).
Gosson was born in Kent during 1554, was at Corpus Christi, Oxford, 1572 to 1576, then came to London, where he obtained some reputation as playwright and poet. Meres in Palladis Tamia (1598) commends his pastorals, which are lost. Lodge speaks of him also as a 'player'.[1] In 1579 he forsook the stage, became a tutor in the country and published The School of Abuse (App. C, No. xxii). This he dedicated
- ↑ Lodge, Defence of Plays, 7.
