than individuals, and social types rather than literary or stage types. I do not think there are portraits of Daniel, Lyly, Drayton, Donne, Chapman, Munday, Shakespeare, Burbadge, in the play or its induction at all. Nor do I think there are portraits in the strict sense of Marston and Dekker, although no doubt some parody of Marston's 'fustian' vocabulary is put into the mouth of Clove (iii. 1), and, on the other hand, the characters of Carlo Buffone and Fastidious Brisk have
analogies with the Anaides and Hedon of Cynthia's Revels, and these again with the Demetrius and Crispinus of Poetaster, who are undoubtedly Dekker and Marston. But we know from Aubrey, ii. 184, that Carlo was Charles Chester, a loose-tongued man about town, to whom there are many contemporary references. To those collected by Small and Hart (10 N. Q. i. 381) I may add Chamberlain, 7, Harington, Ulysses upon Ajax (1596), 58, and Hatfield Papers, iv. 210, 221; x. 287. The practical joke of sealing up Carlo's mouth with wax (V. iii) was, according to Aubrey, played upon Chester by Raleigh, and there may be traits of Raleigh in Puntarvolo, perhaps combined with others of Sir John Harington, while Hart finds in the mouths both of Puntarvolo and of Fastidious Brisk the vocabulary of Gabriel Harvey. The play was revived at Court on 8 Jan. 1605.
Cynthia's Revels. 1600-1
S. R. 1601, May 23 (Pasfield). 'A booke called Narcissus the fountaine of self love.' Walter Burre (Arber, iii. 185).
1601. The Fountaine of Selfe-Loue. Or Cynthias Reuels. As it hath beene sundry times priuately acted in the Black-Friers by the Children of her Maiesties Chappell. Written by Ben: Iohnson. For Walter Burre. [Induction, Prologue, and Epilogue.]
1616. Cynthias Revels, Or The Fountayne of selfe-loue. A Comicall Satyre. Acted in the yeere 1600. By the then Children of Queene Elizabeth's Chappel. The Author B. I. William Stansby. [Part of F_{1}. Epistle to the Court, signed 'Ben Ionson', Induction, Prologue, and Epilogue. After text: 'This Comicall Satyre was first acted, in the yeere 1600. By the then Children of Queene Elizabeths Chappell. The principall Comœdians were, Nat. Field, Ioh. Underwood, Sal. Pavy, Rob. Baxter, Tho. Day, Ioh. Frost. With the allowance of the Master of Revells.']
Edition by A. C. Judson (1912, Yale Studies, xlv), and facsimile reprint of Q by W. Bang and L. Krebs (1908, Materialien, xxii).
The difference between the Q and F_{1} texts amounts to more than mere revision of wording and of oaths. Criticus is renamed Crites, and the latter half of the play is given in a longer form, parts of IV. i and IV. iii, and the whole of V. i-iv appearing in F_{1} alone. I think the explanation is to be found in a shortening of the original text for representation, rather than in subsequent additions. Jonson's date for the play is 1600. This Small, 23, would translate as Feb. or March 1601, neglecting the difficulty due to the possibility that
