the polypus in her nostril, which some fear must be cut off. The Lady Hatton would feign have had a part, but some unknown reason kept her out' (Winwood, ii. 39). The performance was described by Carleton to Winwood, as following the creation of Prince Charles as Duke of York on 6 Jan. (Winwood, ii. 44): 'At night we had the Queen's maske in the Banquetting-House, or rather her pagent. There was a great engine at the lower end of the room, which had motion, and in it were the images of sea-horses with other terrible fishes, which were ridden by Moors: The indecorum was, that there was all fish and no water. At the further end was a great shell in form of a skallop, wherein were four seats; on the lowest sat the Queen with my Lady Bedford; on the rest were placed the Ladies Suffolk, Darby, Rich, Effingham, Ann Herbert, Susan Herbert, Elizabeth Howard, Walsingham, and Bevil. Their apparell was rich, but too light and curtizan-like for such great ones. Instead of vizzards, their faces, and arms up to the elbows, were painted black, which was disguise sufficient, for they were hard to be known; but it became them nothing so well as their red and white, and you cannot imagine a more ugly sight, then a troop of lean-cheek'd Moors. The Spanish and Venetian ambassadors were both present, and sate by the King in state, at which Monsieur Beaumont quarrells so extreamly, that he saith the whole court is Spanish. But by his favour, he should fall out with none but himself, for they were all indifferently invited to come as private men, to a private sport; which he refusing, the Spanish ambassador willingly accepted, and being there, seeing no cause to the contrary, he put off Don Taxis, and took upon him El Señor Embaxadour, wherein he outstript our little Monsieur. He was . . . taken out to dance, and footed it like a lusty old gallant with his country woman. He took out the Queen, and forgot not to kiss her hand, though there was danger it would have left a mark on his lips. The night's work was concluded with a banquet in the great Chamber, which was so furiously assaulted, that down went table and tressels before one bit was touched.' Carleton gives some additional information in another account, which he sent to Chamberlain on 7 Jan. (S. P. D. Jac. I, xii. 6, quoted by Sullivan, 28), as that the 'black faces and hands, which were painted and bare up to the elbowes, was a very lothsome sight', and he was 'sory that strangers should see owr court so strangely disguised'; that 'the confusion in getting in was so great, that some Ladies lie by it and complain of the fury of the white stafes'; that 'in the passages through the galleries they were shutt up in several heapes betwixt dores and there stayed till all was ended'; and that there were losses 'of chaynes, jewels, purces and such like loose ware'. References in letters to one Benson and by the Earl of Errol to Cecil (S. P. D. Jac. I, xii. 16; xix. 25) add nothing material. Carleton's account of the triumph of the Spanish ambassador is confirmed by reports of the Venetian (V. P. x. 212) and French (B. M. King's MS. cxxvii, ff. 117, 127^v, 177^v; cf. Sullivan, 196-8) ambassadors. Beaumont had pleaded illness in order to avoid attending a mask on 27 Dec. 1604 in private, and the Court chose to assume
