Page:The Elizabethan stage (Volume 4).pdf/473

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'Heavens', ii. 544-6, 555; iii. 30, 75-7, 108, 133, 501.

'Hell', ii. 528; iii. 30, 501.

Hell-mouth, i. 232; ii. 528; iii. 72, 90.

Henchmen, i. 45.

Henslowe's companies, finance of, ii. 94, 121, 123, 139-43, 148, 156-7, 159-64, 174, 181-5, 189, 225-8, 245, 248-50, 254-7.

Hercules, Labours of, i. 152, 246; ii. 90.

Hereditary household officers, i. 32.

Hertford's men, ii. 116.

Hesse-Cassel, players at court of, ii. 277-83.

High Commission, i. 275-6; iii. 162, 166-8, 171-2; iv. 265, 303.

Highway rates on playhouses, i. 317; iv. 344.

Hireling players, i. 362, 370; ii. 184, 250; iv. 204.

Hiring of playhouses, i. 369; ii. 448, 516.

Hissing, ii. 549.

Hobby-horses, i. 232; iii. 475; iv. 91, 217.

Hock Tuesday play, i. 123.

'Honour' in dance, i. 198; iii. 241.

Hope playhouse, ii. 448-71.

Horse and ape baited, ii. 454-7.

Horse, performing, ii. 383; iii. 279.

Hospitals, subsidies by players to, iv. 272, 275.

Hosteria (inn), iv. 360.

Hôtel de Bourgogne, staging at, iii. 15-19.

Hour of performances, i. 289, 313; ii. 543, 556; iv. 262, 288, 300, 316.

Household, i. 30-70.

Household accounts, iv. 131.

'Housekeepers', i. 356, 368; ii. 417, 425, 442, 510.

'Houses' for plays, i. 78, 229; iii. 21, 42.

Howard's men, ii. 134-86.

Humanism and the stage, i. 237, 250.

Hunsdon's men, ii. 192-208.

Hunt in plays, i. 232.

Hunting, i. 7, 11, 13, 17, 21, 22.

'Hut', ii. 544-6; iii. 78.


I

Imprese, i. 143, 148, 197; iii. 213, 403; iv. 57, 231.

Improvisation, ii. 553.

Infamia of players, i. 252, 254; iv. 195, 199, 215, 217.

'Ingle', ii. 550.

Inhibition of plays.
  See Restraint.

Inner Temple, i. 214, 221; iii. 215, 233, 237, 238, 457, 514; iv. 80, 82, 127.

'Innovation', restraint for, ii. 206.

Inns, plays in, i. 283, 284, 304; ii. 356, 379-83, 527; iv. 267, 273, 288, 340, 369.

Inter-act dances, ii. 557; iii. 130; music, ii. 541, 557; iii. 125, 130.

Interior action, iii. 63, 70, 119, 133, 152.

Interlude, early use of term, i. 56.

Interlude players of Household, i. 48, 63; ii. 77-85.

Interludes, setting of, iii. 21-7.

Intermedii, i. 152, 185; iii. 6, 384; iv. 356.

Inventories of Admiral's, ii. 165.

Ireland, players in, i. 341.

Italian plays, ii. 261-5.

Italy, player in, ii. 273.


J

Jesuit plays, i. 323; iv. 374, 377, 401.

Jewel House, i. 42, 57, 63.

Jigs, i. 304; ii. 325, 342, 404, 455, 542, 551; iii. 496; iv. 217, 243, 340.

Jugglers, iv. 192, 217, 270.

Justices, control of plays by, i. 271, 274, 276, 279, 285, 299, 306, 337.

'Juxtaposition' of backgrounds, iii. 18, 21.


K

Keepers of Bears, ii. 450-2;
  of Dogs, ii. 450-1;
  of Council Chamber Door, i 69.

King of the Bean, i. 19; iv. 82.

King's men, ii. 208-20.

King's Revels (1629-37), iv. 43.

King's Revels, children of, ii. 64-8.

Kirk of Scotland and plays, ii. 265-8.

Knight Marshal, i. 33.

Knight of Crown, i. 141; iii. 403.

Knight of Pendragon Castle, iii. 268.

Knights of Body, i. 42-4.

Knights, satirized in plays, iii. 215, 252, 253, 255, 257, 439, 440; iv. 37, 38.


L

Labels, for localities, iii. 30, 40, 122, 126, 137, 154;
  for play-titles, iii. 20, 41, 126, 137, 154;
  for properties, iii. 137.