at; but he is himself of so generous, jovial, and kindly a turn that he begins to like the characters which he invents, can't help making them manly and pleasant as well as ridiculous, and before he has done with them all loves them heartily every one.
Richardson's sickening antipathy for Harry Fielding is quite as natural as the other's laughter and contempt at the sentimentalist. I have not learned that these likings and dislikings have ceased in the present day: and every author must lay his account not only to misrepresentation but to honest enmity among critics, and to being hated and abused for good as well as for bad reasons. Richardson disliked Fielding's works quite honestly: Walpole quite honestly spoke of them[errata 1] as vulgar and stupid. Their squeamish stomachs sickened at the rough fare and the rough guests assembled at Fielding's jolly revel. Indeed the cloth might have been cleaner: and the dinner and the company were scarce such as suited a dandy. The kind and wise old Johnson would not sit down with him.[1] But a greater scholar than Johnson could afford to admire that astonishing genius of Harry Fielding: and we all know the lofty panegyric which Gibbon wrote of him, and which remains a towering monument
- ↑ It must always be borne in mind, that besides that the Doctor couldn't be expected to like Fielding's wild life (to say nothing of the fact, that they were of opposite sides in politics), Richardson was one of his earliest and kindest friends. Yet Johnson too (as Boswell tells us) read "Amelia" through without "stopping."
Errata
