description!)—the Emperor's features,' Gulliver says, "are strong and masculine, with an Austrian lip, an arched nose, his complexion olive, his countenance erect, his body and limbs well-proportioned, and his deportment majestic. He is taller by the breadth of my nail than any of his court, which alone is enough to strike an awe into beholders."
What a surprising humour there is in these descriptions! How noble the satire is here! how just and honest! How perfect the image! Mr. Macaulay has quoted the charming lines of the poet, where the king of the pigmies is measured by the same standard. We have all read in Milton of the spear that was like "the mast of some tall amiral," but these images are surely likely to come to the comic poet originally. The subject is before him. He is turning it in a thousand ways. He is full of it. The figure suggests itself naturally to him, and comes out of his subject, as in that wonderful passage, when Gulliver's box haying been dropped by the eagle into the sea, and Gulliver having been received into the ship's cabin, he calls upon the crew to bring the box into the cabin, and put it on the table, the cabin being only a quarter the size of the box. It is the veracity of the blunder which is so admirable. Had a man come from such a country as Brobdingnag he would have blundered so.
But the best stroke of humour, if there be a best
