Page:The English humourists of the eighteenth century. A series of lectures, delivered in England, Scotland, and the United States of America (IA englishhumourist00thacrich).pdf/94

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ENGLISH HUMOURISTS.


humourous observer of another school to whom the world seems to have no moral at all, and whose ghastly doctrine seems to be that we should eat, drink, and be merry when we can, and go to the deuce (if there be a deuce) when the time comes. We come now to a humour that flows from quite a different heart and


     And Pope dedicated the Iliad to the author of these lines—and Dryden wrote to him in his great hand:

    "Time, place, and action may with pains be wrought,
    But Genius must be born and never can be taught.
    This is your portion, this your native store;
    Heaven, that but once was prodigal before,
    To Shakspeare gave as much she could not give him more.
    Maintain your Post: that's all the Fame you need,
    For 'tis impossible you should proceed;
    Already I am worn with cares and age,
    And just abandoning th' ungrateful Stage:
    Unprofitably kept at Heaven's expence,
    I live a Rent-charge upon Providence:
    But you whom every Muse and Grace adorn,
    Whom I foresee to better fortune born,
    Be kind to my remains, and ob defend
    Against your Judgment your departed Friend!
    Let not the insulting Foe my Fame pursue;
    But shade those Lawrels which descend to You:
    And take for Tribute what these Lines express;
    You merit more, nor could my Love do less,"

    This is a very different manner of welcome to that of our own day. In Shadwell, Higgons, Congreve, and the comic authors of their time, when gentlemen meet they fall into each other's arms, with "Jack, Jack, I must buss thee;" or "Fore George, Harry, I must kiss thee, lad." And in a similar manner the poets saluted their brethren. Literary gentlemen do not kiss now; I wonder if they love each other better.

    Steele calls Congreve "Great Sir" and "Great Author;" says, "Well-dressed barbarians knew his awful name," and addresses him as if he were a prince; and speaks of "Pastora" as one of the most famous tragic compositions.