Page:The Enormous Room.pdf/130

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A Group of Portraits
119

joying Afrique's conversation, escaping from the bleak and profoundly muddy cour, and (under the watchful auspices of the Cook, who plays sentinel) drinking something approximating coffee with something approximating sugar therein. All this because the Cook thinks we're boches and being the Cook and a boche lui-même is consequently peculiarly concerned for our welfare.

Afrique is talking about les journaux, and to what prodigious pains they go to not tell the truth; or he is telling how a native stole up on him in the night armed with a spear two metres long, once on a time in a certain part of the world; or he is predicting that the Germans will march upon the French by way of Switzerland; or he is teaching us to count and swear in Arabic; or he is having a very good time in the Midi as a tinker, sleeping under a tree outside of a little town....

Afrique's is an alert kind of mind, which has been and seen and observed and penetrated and known—a bit there, somewhat here, chiefly everywhere. Its specialty being politics, in which case Afrique has had the inestimable advantage of observing without being observed—until La Ferté; whereupon Afrique goes on uninterruptedly observing, recognising that a significant angle of observation has been presented to him gratis. Les journaux and politics in general are topics upon which Afrique can say more, without the slightest fatigue, than a book as big as my two thumbs.

"Why yes, they got water, and then I gave them coffee," Monsieur, or more properly Mynheer le chef, is expostulating; the planton is stupidly protesting that we are supposed to be upstairs; Afrique is busily stirring a huge black pot, winking gravely at us and singing softly

"Le bon Dieu, Soûl comme un cochon...."