Page:The Ethics of Urban Leaseholds.djvu/44

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38
THE ETHICS OF

critic, 'rising,' as he says, 'above a false and narrow interpretation of vested interests in property,' declares that 'the expropriation clauses of the Artisans Dwellings Act are not at all too sweeping for their object, but are based upon a definite assumption that where public necessities conflict with private rights, private rights must submit to reasonable modifications. Of course this is not a new principle; for the compulsory purchase of lands under private Acts of Parliament is a familiar idea to modern Englishmen. The novelty consists in the recognition of the fact that under certain circumstances the interest of the lowest class might be the interest of the whole community. The Artisans Dwellings Act proceeded strictly on the apostolic maxim that if one member suffers all the other members suffer with it. The remediable grievance of one section of the community is the grievance of all the rest.' Which is in fact our theory of 'communism.'

All this is hopeful and judicious; it appears that other things than communism may be even less agreeable to contemplate; besides, it is allowed to be 'notorious all over England that no cottages are so bad as those that are cheaply run up,' — on leasehold tenure? — 'either to live in or to let, by persons of the labouring grade.' To save discussion we accept the statement, and reply that as the leasehold system has extended and is nearly universal, its bad influence has brought and keeps the standard of house-building miserably low. Even on land bought and divided up by freehold land societies the habits of the leasehold builders influence the character and execution of the work. There is, however, on those freehold land estates which are entirely covered a remarkable improvement in the buildings. The more recent houses are much better than those first erected, and these also are continually being made more comfortable and in every way improved. Thus, notwithstanding the great general ignorance of the building art, the natural instinct of the freehold occupants compels them to