Autobiography of an Androgyne published, which he had already interdicted.
Thus I was, in a sense, a court employee of New York City, while at the same time one of its greatest criminals—according to a statute that is a legacy from the Dark Ages.
Simultaneously with my career as lawyer's clerk, I taught school five evenings a week under my legal name, and every Saturday evening took up my avocation of female-impersonator under the name of "Jennie June."
Though I passed as three separate personalities within the same week, they had—poor things—to share the identic body alternately.
Necessity of Aliases: I have used five: Raphael Werther, Ralph Werther, Earl Lind, Jennie June, and Pussie. When I began my double life, I told the Underworld my legal name was Raphael Werther. I named myself after "the Prince of Painters," because he was the greatest ultra-androgyne who ever lived. He was my idol—my ideal. I wished him to pass through the earthly life all over again in my body. I further named myself after "the Prince of Amatory Melancholiacs" since I was myself such during my teens. Werther was Goethe himself, the most brilliant and most versatile man, "the Prince of Men," born subsequently to the Shakespeare-Author (Francis Bacon).
As for the genesis of my first feminine name, I chose "Jennie" at four. I have always considered it the most feminine of names. When I began my double life, I appended "June." I adopted that surname because of its beautiful associations, as well as
