Page:The Finer Grain (London, Methuen & Co., 1910).djvu/109

From Wikisource
Jump to navigation Jump to search
This page has been proofread, but needs to be validated.
MORA MONTRAVERS
97


now"—'On'? You don't suppose I dress, do you, to come to meet you?"—yet the effect of the nasty little mirror of his unsatisfied state so flashed before him was to make him afresh wander wide, if wide half the stretch of Trafalgar Square could be called. He turned into the National Gallery, where the great Masters were tantalising more by their indifference than by any offer of company, and where he could take up again his personal tradition of a lawless range. One couldn't be a raffiné at Wimbledon—no, not with any comfort; but he quite liked to think how he had never been anything less in the great museum, distinguished as he thus was from those who gaped impartially and did the place by schools. His sympathies were special and far-scattered, just as the places of pilgrimage he most fondly reverted to were corners unnoted and cold, where the idol in the numbered shrine sat apart to await him.

So he found himself at the end of five minutes in one of the smaller, one of the Dutch rooms—in a temple bare in very fact at that moment save for just one other of the faithful. This was a young person—visibly young, from the threshold of the place, in spite of the back presented for an instant while a small picture before which she had stopped continued to hold her; but who turned at sound of his entering footfall, and who then again, as by an alertness in this movement, engaged his eyes. With which it was remarkably given to Traffle to feel himself recognize even almost to immediate, to artless