Page:The Finer Grain (London, Methuen & Co., 1910).djvu/197

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CRAPY CORNELIA

I

Three times within a quarter of an hour—shifting the while his posture on his chair of contemplation—had he looked at his watch as for its final sharp hint that he should decide, that he should get up. His seat was one of a group fairly sequestered, unoccupied save for his own presence, and from where he lingered he looked off at a stretch of lawn freshened by recent April showers and on which sundry small children were at play. The trees, the shrubs, the plants, every stem and twig just ruffled as by the first touch of the light finger of the relenting year, struck him as standing still in the blest hope of more of the same caress; the quarter about him held its breath after the fashion of the child who waits with the rigour of an open mouth and shut eyes for the promised sensible effect of his having been good. So, in the windless, sun-warmed air of the beautiful afternoon, the Park of the winter's end had struck White-Mason as waiting; even New York, under such an impression, was "good," good enough—for him: its very sounds were faint, were almost sweet, as they reached him from so seemingly far beyond the wooded horizon that formed the

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