Page:The Finer Grain (London, Methuen & Co., 1910).djvu/207

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CRAPY CORNELIA
195

could make him put himself such questions was precisely part of the attaching play of her iridescent surface, the shimmering interfusion of her various aspects; that of her youth with her independence—her pecuniary perhaps in particular, that of her vivacity with her beauty, that of her facility above all with her odd novelty; the high modernity, as people appeared to have come to call it, that made her so much more "knowing" in some directions than even he, man of the world as he certainly was, could pretend to be, though all on a basis of the most unconscious and instinctive and luxurious assumption. She was "up" to everything, aware of everything—if one counted from a short enough time back (from week before last, say, and as if quantities of history had burst upon the world within the fortnight); she was likewise surprised at nothing, and in that direction one might reckon as far ahead as the rest of her lifetime, or at any rate as the rest of his, which was all that would concern him: it was as if the suitability of the future to her personal and rather pampered tastes was what she most took for granted, so that he could see her, for all her Dresden-china shoes and her flutter of wondrous befrilled contemporary skirts, skip by the side of the coming age as over the floor of a ball-room, keeping step with its monstrous stride and prepared for every figure of the dance.

Her outlook took form to him suddenly as a great square sunny window that hung in assured fashion