expunged. But Baudelaire gained his end, and secured a spurious notoriety. Some years later Mr. Swinburne thought the French poet's success worthy of emulation, and he therefore published his "Poems and Ballads," which was so very hot that his publishers dropped it like a blazing cinder in the very month of publication, and only one publisher, who shall be nameless, had the courage to lift it up.
All that is worst in Mr. Swinburne belongs to Baudelaire. The offensive choice of subject, the obtrusion of unnatural passion, the blasphemy, the wretched animalism, are all taken intact out of the "Fleurs de Mal." Pitiful! that any sane man, least of all any English poet, should think this dunghill worthy of importation! In the centre of his collection Baudelaire placed the most horrid poem ever written by man, a poem unmatched for simple hideousness even in Rome during the decadence—a piece worthy to be spoken by Ascyltos in Petronius Arbiter—and entitled "Femmes Damnées." The interlocutors in this piece are two women, who have just been guilty of the vilest act conceivable in human debauchery, but the theme and the treatment are too loathsome for description.Encouraged by the hideousness of "Femmes Damnées," Mr. Swinburne attempted to beat it in "Anactoria," a poem the subject of which is again that branch of crime which is generally known as the Sapphic passion. It would be tedious, apart from the unsavouriness of the subject, to pursue the analogy much further through individual poems. Perhaps the best plan is to give a few specimens of Baudelaire's quality, and leave the reader to compare them with Mr. Swinburne's book at leisure.
In the very first poem of his collection Baudelaire avows
