At the cashier’s desk sits Bogle, cold, sordid, slow, smouldering, and takes your money. Behind a mountain of toothpicks he makes your change, files your check, and ejects at you, like a toad, a word about the weather. Beyond a corroboration of his meteorological statement you would better not venture. You are not Bogle’s friend; you are a fed, transient customer, and you and he may not meet again until the blowing of Gabriel’s dinner horn. So take your change and go—to the devil if you like. There you have Bogle’s sentiments.
The needs of Bogle’s customers were supplied by two waitresses and a Voice. One of the waitresses was named Aileen. She was tall, beautiful, lively, gracious and learned in persiflage. Her other name? There was no more necessity for another name at Bogie’s than there was for finger-bowls.
The name of the other waitress was Tildy. Why do you suggest Matilda? Please listen this time—Tildy—Tildy. Tildy was dumpy, plain-faced, and too anxious to please to please. Repeat the last clause to yourself once or twice, and make the acquaintance of the duplicate infinite.
The Voice at Bogle’s was invisible. It came from the kitchen, and did not shine in the way of originality. It was a heathen Voice, and contented itself
[252]
