learn the tour de force, which has become part of its stock-in-trade, the tour de force of self-justification, of the justification of evil; nowadays this would perhaps require other auxiliary devices (for instance, life as a riddle, life as a problem of knowledge). "Every evil is justified in the sight of which a god finds edification," so rang the logic of primitive sentiment—and, indeed, was it only of primitive? The gods conceived as friends of spectacles of cruelty—oh, how far does this primeval conception extend even nowadays into our European civilisation! One would perhaps like in this context to consult Luther and Calvin. It is at any rate certain that even the Greeks knew no more piquant seasoning for the happiness of their gods than the joys of cruelty. What, do you think, was the mood with which Homer makes his gods look down upon the fates of men? What final meaning have at bottom the Trojan War and similar tragic horrors? It is impossible to entertain any doubt on the point: they were intended as festival games for the gods, and, in so far as the poet is of a more godlike breed than other men, as festival games also for the poets. It was in just this spirit and no other, that at a later date the moral philosophers of Greece conceived the eyes of God as still looking down on the moral struggle, the heroism, and the self-torture of the virtuous; the Heracles of duty was on a stage, and was conscious of the fact; virtue without witnesses was something quite unthinkable for this nation of actors. Must not that philosophic invention, so audacious and so fatal, which was then absolutely new to Europe, the invention of "free will," of the absolute spontaneity of man in good and evil, simply have been made for the specific
