“Pocket money,” says he; “that’s all. I am temporarily unfinanced. This little coup de rye straw is good for forty dollars in a town of this size. How do I work it? Why, I involve myself, as you perceive, in the loathsome apparel of the rural dub. Thus embalmed I am Jonas Stubblefield—a name impossible to improve upon. I repair noisily to the office of some loan company conveniently located in the third-floor, front. There I lay my hat and yarn gloves on the floor and ask to mortgage my farm for $2,000 to pay for my sister’s musical education in Europe. Loans like that always suit the loan companies. It’s ten to one that when the note falls due the foreclosure will be leading the semiquavers by a couple of lengths.
“Well, sir, I reach in my pocket for the abstract of title; but I suddenly hear my team running away. I run to the window and emit the word—or exclamation, which-ever it may be—viz,’ ‘Whoa!’ Then I rush down-stairs and down the street, returning in a few minutes. ‘Dang them mules,’ I says; ‘they done run away and busted the doubletree and two traces. Now I got to hoof it home, for I never brought no money along. Reckon we’ll talk about that loan some other time, gen’lemen.’
“Then I spreads out my tarpaulin, like the Israelites, and waits for the manna to drop.
162
