“‘The pig won’t live long enough,’ I says, ‘to use as an exhibit in your senile fireside mendacity. Your grandchildren will have to take your word for it. I’ll give you one hundred dollars for the animal.’
“Rufe looked at me astonished.
“‘The shoat can’t be worth anything like that to you,’ he says. ‘What do you want him for?”
“‘Viewing me casuistically,’ says I, with a rare smile, ‘you wouldn’t think that I’ve got an artistic side to my temper. But I have. I’m a collector of pigs. I’ve scoured the world for unusual pigs. Over in the Wabash Valley I’ve got a hog ranch with most every specimen on it, from a Merino to a Poland China. This looks like a blooded pig to me, Rufe,’ says I. ‘I believe it’s a genuine Berkshire. That’s why I’d like to have it.’
“‘I’d shore like to accommodate you,’ says he, ‘but I’ve got the artistic tenement, too. I don’t see why it ain’t art when you can steal a shoat better than anybody else can. Shoats is a kind of inspiration and genius with me. Specially this one. I wouldn’t take two hundred and fifty for that animal.’
“‘Now, listen,’ says I, wiping off my, forehead. ‘It’s not so much a matter of business with me as it is art; and not so much art as it is philanthropy. Being a connoisseur and disseminator of pigs, I wouldn’t
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