THE PRINCE
turn cold, would have been the possibility of her seeking him in marriage, of her bringing up between them that terrible issue. Here fortunately she was powerless, it being apparently so proveable against her that she had a husband in undiminished existence.
She had him, it was true, only in America, only in Texas, in Nebraska, in Arizona or somewhere—somewhere that, at old Fawns House in the county of Kent, scarcely figured as a definite place at all; it showed somehow from afar as so lost, so indistinct and illusory, in the great alkali desert of cheap Divorce. She had him even in bondage, poor man, had him in contempt, had him in remembrance so imperfect as barely to assert itself, but she had him, none the less, in existence unimpeached: the Miss Lutches had seen him in the flesh—as they had appeared eager to mention; though when they were separately questioned their descriptions failed to tally. He would be at the worst, should it come to the worst, Mrs. Rance's difficulty, and he served therefore quite enough as the stout bulwark of any one else. This was in truth logic without a flaw, yet it gave Mr. Verver less comfort than it ought. He feared not only danger—he feared the idea of danger, or in other words feared, hauntedly, himself. It was above all as a symbol that Mrs. Rance actually rose before him—a symbol of the supreme effort that he should have sooner or later, as he felt, to make. This effort would be to say No—he lived in terror of having to. He should be proposed to at a given moment—it was only a question of time—and then he should have to do a thing that would be extremely disagreeable. He
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