THE GOLDEN BOWL
native gaiety go in outbreaks of song, or even of quite whimsical senseless sound, either expressive of intimate relaxation or else fantastically plaintive. He might at times reflect with the frankest lucidity on the circumstance that the case was for a good while yet absolutely settled in regard to what he still had left, at home, of his very own; in regard to the main seat of his affection, the house in Rome, the big black palace, the Palazzo Nero, as he was fond of naming it, and also on the question of the villa in the Sabine hills, which she had at the time of their engagement seen and yearned over, and the Castello proper, described by him always as the "perched" place, that had, as she knew, formerly stood up, on the pedestal of its mountain-slope, showing beautifully blue from afar, as the head and front of the princedom. He might rejoice in certain moods over the so long-estranged state of these properties, not indeed all irreclaimably alienated, but encumbered with unending leases and charges, with obstinate occupants, with impossibilities of use—all without counting the cloud of mortgages that had from far back buried them beneath the ashes of rage and remorse, a shroud as thick as the layer once resting on the towns at the foot of Vesuvius, and actually making of any present restorative effort a process much akin to slow excavation. Just so he might with another turn of his humour almost wail for these brightest spots of his lost paradise, declaring that he was an idiot not to be able to bring himself to face the sacrifices—sacrifices resting, if definitely anywhere, with Mr. Verver—involved in winning them back.
One of the most comfortable things between the
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