Baker leaned forward unashamed, trying to hear. The murmur trembled on the verge of coherence, sank down, mounted excitedly, and then ceased altogether.
"This Mr. Gatsby you spoke of is my neighbor—" I said.
"Don't talk. I want to hear what happens."
"Is something happening?" I inquired innocently.
"You mean to say you don't know?" said Miss Baker, honestly surprised. "I thought everybody knew."
"I don't."
"Why—" she said hesitantly, "Tom's got some woman in New York."
"Got some woman?" I repeated blankly.
Miss Baker nodded.
"She might have the decency not to telephone him at dinner time. Don't you think?"
Almost before I had grasped her meaning there was the flutter of a dress and the crunch of leather boots, and Tom and Daisy were back at the table.
"It couldn't be helped!" cried Daisy with tense gayety.
She sat down, glanced searchingly at Miss Baker and then at me, and continued: "I looked outdoors for a minute, and it's very romantic outdoors. There's a bird on the lawn that I think must be a nightingale come over on the Cunard or White Star Line. He's singing away—" Her voice sang: "It's romantic, isn't it, Tom?"
"Very romantic," he said, and then miserably to me: "If it's light enough after dinner, I want to take you down to the stables."
The telephone rang inside, startlingly, and as Daisy shook her head decisively at Tom the subject of the stables, in fact all subjects, vanished into air. Among the broken fragments of the last five minutes at table I remember the candles being lit again, pointlessly, and I was conscious of wanting to look squarely at every one, and yet to avoid all eyes. I couldn't guess what Daisy and Tom were thinking, but I doubt if even Miss Baker, who seemed to have mastered a certain hardy
