times as Atergatis or Derketo, sometimes as Kybelê, sometimes by other names. It is difficult for one who has seen the image of Nofert-ari, the favourite wife of Ramses II., seated in the niche of rock on the cliffs of Abu-simbel, not to believe that the artist who carved the image on Mount Sipylos had visited the Nile. At a little distance both have the same appearance, and a nearer examination shows that, although the Egyptian work is finer than the Lydian, it resembles it in a striking manner. We now know, however, that the 'Niobê' of Sipylos owes its origin to Hittite art. On the wall of rock out of which the niche is cut wherein the goddess sits Dr. Dennis discovered a cartouche containing Hittite characters. By tying some ladders together he and I succeeded in ascending to it, and taking paper impressions of the hieroglyphs. Among them is a character which has the meaning of 'king'.[1]
How came these characters and these creations of Hittite art in a region so remote from that in which the Hittite kingdoms rose and flourished? How comes it that we find figures of Hittite warriors in the Pass of Karabel and on the rocks of Ghiaur-kalessi, and the image of a Hittite goddess on the cliffs of Sipylos? Whose was the hand that engraved the characters that accompany them,—characters which are the same as those which meet us on the stones of Hamath and Carchemish? We have now to learn what answers can be given to these questions.
- ↑ A copy of the inscription made from the squeeze is given in the Transactions of the Society of Biblical Archæology, VII. Pt. 3, PI. v. An eye-copy, made from the ground by Dr. Dennis, on the occasion of his discovery of the cartouche, was published in the Proceedings of the same Society for January 1881, and is necessarily imperfect.
