Artemis, can be no other than the priestesses of the Hittite goddess, who danced in her honour armed with the shield and bow. In ancient art the Amazons are represented as clad in the Hittite tunic and brandishing the same double-headed axe that is held in the hands of some of the Hittite deities on the rocks of Boghaz Keui, while the 'spear' lent to them by the Greek poet brings to our recollection the spear held by the warriors of Karabel. We cannot explain the myth of the Amazons except on the supposition that they represented the armed priestesses of the Hittite goddess, and that a tradition of the Hittite empire in Asia Minor has entwined itself around the story of their arrival in the West. The cities they are said to have founded must have been the seats of Hittite rule.
The Hittites were intruders in Syria as well as in Western Asia Minor. Everything points to the conclusion that they had descended from the ranges of the Taurus. Their costume was that of the inhabitants of a cold and mountainous region, not of the warm valleys of the south. In place of the trailing robes of the Syrians, the national costume was a tunic which did not quite reach to the knees. It was only after their settlement in the Syrian cities that they adopted the dress of the country; the sculptured rocks of Asia Minor represent them with the same short tunic as that which distinguished the Dorians of Greece or the ancient inhabitants of Ararat. But the most characteristic portion of the Hittite garb were the shoes with upturned ends. Wherever the figure of a Hittite is portrayed, there we find this peculiar form of boot. It reappears among the hieroglyphs of the inscriptions, and the Egyptian artists who adorned the walls of the Rames-
