“They'll not so soon catch me!” At the first application of the medicine-hag, therefore, he merely staggers forward a few paces; after the second, bursts into an hysterical laugh, and it is not until the third mystical draught that he falls down with convulsed limbs. In a little while the fallen again rise and reunite themselves to the procession, which is continued until all its members have gone through the medicine-process, the unmelodious music sounding without intermission. The old men seem more amused by this scene than the young.
The medicine-dance is one of the chief festivities of the Indians of Minnesota, and lasts for several days. They have also other dances, among which the war-dance is most known. Men alone take part in this. They paint their faces and bodies in the most horrible manner, and their dance consists of the wild gestures and threatening demonstrations which they make against each other. I have seen a painting of the scalp-dance of the women, which is danced when the men return from war with the scalps of their enemies. These scalps being placed on tall poles are held by women, who with their female compeers dance, or rather hop round, very much in the manner of geese with their feet tied, and with about as much grace. The beating of drums, songs, and wild cries accompany the dance. The men stand round with eagle's feathers in their hair contemplating this dance, which is a greater delight both to their eyes and their ears than probably any which the genius of Bournonville could create, or the skill of Taglioni or Ellssler perform.
But I must yet add a few facts regarding the past and present state of this savage people, which I obtained from trustworthy sources, partly from books, partly from oral communications, as well as from my own observations.
When the Europeans first penetrated that portion of America lying east of the Mississippi, a great deal was
