Page:The House of Detention.pdf/4

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626
Cassell's Magazine.

man displayed a yellow badge upon his breast, and, looking round again, he saw, dangling upon his own gas-burner, a similar disc of felt, with the number of the cell stamped upon it. Hanging the tab upon his coat button, Pringle entered a gap in the procession duly labelled "B.3.6." for the occasion. Right overhead an endless column marched; on the gallery below he saw another, and all around was a rhythmic tramp—tramp in one and the same direction. Down a slope of stairs they went, across a flying bridge, and then along a gallery whose occupants had preceded them. Tramp, tramp; tramp, tramp. Another bridge, and then a door opened into a huge barn of a hall. Backless forms were ranged in long rows over the wooden floor, with here and there a little pew-like desk, from which the warders piloted their charges to their seats. The prisoner ahead of him was the end man of his bench, and Pringle, motioned to the next one, headed the file along it and sat down by the wall at the far end, with a warder in one of the little pews just in front.

"What yer in for, guv'nor?" asked someone in a husky growl.

Pringle looked round, but his immediate neighbour was glaring stolidly at the nearest warder, whose eye was upon them, and there was no one else within speaking distance but a decrepit old creature, obviously very deaf, on the row behind, and beyond him again a man of apparent education wearing a frock coat. From neither of these could such an inquiry have proceeded.

"Eyes front there! Don't let me catch you looking round again." It was the warder who spoke in peremptory tones, and Pringle started at the words like a corrected schoolboy.

"Hymn number three."

The chaplain had taken his stand by the altar, and the opening bars of Bishop Ken's grand old hymn sounded from the organ. There was a rustle and shuffling of many feet as the whole assembly rose, the organist started the singing, and the many-voiced followed on with a roar which could not wholly slaughter the melody. Half-way through the first verse Pringle felt a nudge in the ribs, and, barely inclining his head, caught the eye of his stolid neighbour as it closed in a grotesque wink. Keeping one eye on the little pew in front the man edged towards him, and repeated, in a sing-song which fairly imitated the air of the hymn:

"What yer in for, matey?"

Taking his cue, Pringle chanted back:

"Snide coin," and then a strange duet was sung to the old Genevan air.

"Fust time?"

"Yes."

"Do a bloke a turn?"

"What's that?"

"Change badges—I'll tell yer why at exercise presently. Won't 'urt you, an' do me a sight er good!"

The hymn ceased, and the chaplain began to intone the morning prayers. As they all sat down, Pringle's neighbour dropped his badge on the floor, and, pretending to reach for it, motioned to him to exchange.

The warder's attention was elsewhere, and Pringle obligingly re-labelled himself "C.2.24."

A short and somewhat irrelevant address, another hymn, and the twenty minutes' service was over. As bench after bench emptied, the monotonous tramp again echoed through the bare chamber, and a dusty haze rose and obscured the texts upon the altar. It was a single long procession that snaked round and round the corridors, and, descending by a fresh series of stairways and bridges, disappeared far below in the basement. The lower they got, the atmosphere became sensibly purer and less redolent of humanity, until at the very bottom Pringle felt a rush of air, welcome for all its coldness, and there, beyond an open grille, was an expanse of green bordered by shrubs, and, above all, the cheery sunlight.

"And earth laughed back at the day," he murmured.

The grass was cut up by concentric rings of flagstones, and round these the prisoners marched at a brisk rate. Between every two rings were stone pedestals, each adorned with a warder, who from this elevation endeavoured to preserve a regulation space between the prisoners—that is to say, when he was not engaged in breathing almost equally futile threatenings against the conversation which hummed from every man who was not immediately in front of him. And what a jumble of costumes! Tall hats mingled with bowlers and seedy caps that surely no man would pick from off a rubbish heap. Here the wearer of a frock-suit followed one who was literally a walking rag-shop; and, conspicuous among all, with its ever-rakish air in the sober day-time, an opera hat spoke of hilariously twined vine-leaves.

"Thankee, guv'nor," came a hoarse