in a different way, he was, as much as Lily, the victim of his environment. There had been a germ of truth in his declaration to Gerty Farish that he had never wanted to marry a "nice" girl: the adjective connoting, in his cousin's vocabulary, certain utilitarian qualities which are apt to preclude the luxury of charm. Now it had been Selden's fate to have a charming mother: her graceful portrait, all smiles and Cashmere, still emitted a faded scent of the undefinable quality. His father was the kind of man who delights in a charming woman: who quotes her, stimulates her, and keeps her perennially charming. Neither one of the couple cared for money, but their disdain of it took the form of always spending a little more than was prudent. If their house was shabby, it was exquisitely kept; if there were good books on the shelves there were also good dishes on the table. Selden senior had an eye for a picture, his wife an understanding of old lace; and both were so conscious of restraint and discrimination in buying that they never quite knew how it was that the bills mounted up.
Though many of Selden's friends would have called his parents poor, he had grown up in an atmosphere where restricted means were felt only as a check on aimless profusion: where the few possessions were so good that their rarity gave them a merited relief, and abstinence was combined with elegance in a way exemplified by Mrs. Selden's knack of wearing her old velvet as if it were new.
