by an undefinable change in Miss Bart's expression. "Oh, I don't mean your particular set, you know: rather a different crowd, but very good fun. The fact is, the Gormers have struck out on a line of their own: what they want is to have a good time, and to have it in their own way. They gave the other thing a few months' trial, under my distinguished auspices, and they were really doing extremely well—getting on a good deal faster than the Brys, just because they didn't care as much—but suddenly they decided that the whole business bored them, and that what they wanted was a crowd they could really feel at home with. Rather original of them, don't you think so? Mattie Gormer has got aspirations still; women always have; but she's awfully easy-going, and Sam won't be bothered, and they both like to be the most important people in sight, so they've started a sort of continuous performance of their own, a kind of social Coney Island, where everybody is welcome who can make noise enough and doesn't put on airs. I think it's awfully good fun myself—some of the artistic set, you know, any pretty actress that's going, and so on. This week, for instance, they have Audrey Anstell, who made such a hit last spring in 'The Winning of Winny'; and Paul Morpeth—he's painting Mattie Gormer—and the Dick Bellingers, and Kate Corby—well, every one you can think of who's jolly and makes a row. Now don't stand there with your nose in the air, my dear—it will be a good
