made it unpalatable. Since it was her fate to live in a boarding-house, she must learn to fall in with the conditions of the life. Nevertheless she was glad that, when she descended to the heat and glare of the dining-room, the repast was nearly over.
In her own room again, she was seized with a sudden fever of activity. For weeks past she had been too listless and indifferent to set her possessions in order, but now she began to examine systematically the contents of her drawers and cupboard. She had a few handsome dresses left—survivals of her last phase of splendour, on the Sabrina and in London—but when she had been obliged to part with her maid she had given the woman a generous share of her cast-off apparel. The remaining dresses, though they had lost their freshness, still kept the long unerring lines, the sweep and amplitude of the great artist's stroke, and as she spread them out on the bed the scenes in which they had been worn rose vividly before her. An association lurked in every fold: each fall of lace and gleam of embroidery was like a letter in the record of her past. She was startled to find how the atmosphere of her old life enveloped her. But, after all, it was the life she had been made for: every dawning tendency in her had been carefully directed toward it, all her interests and activities had been taught to centre around it. She was like some rare flower grown for exhibition, a flower
