but most of the captives were like flies in a bottle, and having once flown in, could never regain their freedom. It was Selden's distinction that he had never forgotten the way out.
That was the secret of his way of readjusting her vision. Lily, turning her eyes from him, found herself scanning her little world through his retina: it was as though the pink lamps had been shut off and the dusty daylight let in. She looked down the long table, studying its occupants one by one, from Gus Trenor, with his heavy carnivorous head sunk between his shoulders, as he preyed on a jellied plover, to his wife, at the opposite end of the long bank of orchids, suggestive, with her glaring good-looks, of a jeweller's window lit by electricity. And between the two, what a long stretch of vacuity! How dreary and trivial these people were! Lily reviewed them with a scornful impatience: Carry Fisher, with her shoulders, her eyes, her divorces, her general air of embodying a "spicy paragraph"; young Silverton, who had meant to live on proof-reading and write an epic, and who now lived on his friends and had become critical of truffles; Alice Wetherall, an animated visiting-list, whose most fervid convictions turned on the wording of invitations and the engraving of dinner-cards; Wetherall, with his perpetual nervous nod of acquiescence, his air of agreeing with people before he knew what they were saying; Jack Stepney, with his
