The House of Souls
'Never mind, dear,' said Mary, who saw that he was a good deal cast down. 'We must think of some other plan that will be nice and useful too.'
She often spoke to him in that tone of a kind mother, though she was by three years the younger.
'And now,' she said, 'I must get ready for church. Are you coming?'
Darnell said that he thought not. He usually accompanied his wife to morning service, but that day he felt some bitterness in his heart, and preferred to lounge under the shade of the big mulberry tree that stood in the middle of their patch of garden—relic of the spacious lawns that had once lain smooth and green and sweet, where the dismal streets now swarmed in a hopeless labyrinth.
So Mary went quietly and alone to church. St. Paul's stood in a neighbouring street, and its Gothic design would have interested a curious inquirer into the history of a strange revival. Obviously, mechanically, there was nothing amiss. The style chosen was 'geometrical decorated,' and the tracery of the windows seemed correct. The nave, the aisles, the spacious chancel, were reasonably proportioned; and, to be quite serious, the only feature obviously wrong was the substitution of a low 'chancel wall' with iron gates for the rood screen with the loft and rood. But this, it might plausibly be contended, was merely an adaptation of the old idea to modern requirements, and it would have been quite difficult to explain why the whole building, from the mere mortar setting between the stones to the Gothic gas standards, was a mysterious and elaborate blasphemy. The canticles were sung to Joll in B flat, the chants were
22
