if it had been drawn a good many years ago, and was now dingy with smoke, and soiled, here and there, with the touch of fingers. The other was a portrait of a stern old man, in a Puritan garb, painted roughly, but with a bold effect, and a remarkably strong expression of character.
At a small table, before a fire of English sea-coal, sat Mr. Pyncheon, sipping coffee, which had grown to be a very favorite beverage with him in France. He was a middle-aged and really handsome man, with a wig flowing down upon his shoulders; his coat was of blue velvet, with lace on the borders and at the button-holes; and the fire-light glistened on the spacious breadth of his waistcoat, which was flowered all over with gold. On the entrance of Scipio, ushering in the carpenter, Mr. Pyncheon turned partly round, but resumed his former position, and proceeded deliberately to finish his cup of coffee, without immediate notice of the guest whom he had summoned to his presence. It was not that he intended any rudeness, or improper neglect,—which, indeed, he would have blushed to be guilty of,—but it never occurred to him that a person in Maule's station had a claim on his courtesy, or would trouble himself about it, one way or the other.
The carpenter, however, stepped at once to the hearth, and turned himself about, so as to look Mr. Pyncheon in the face.
"You sent for me," said he. "Be pleased to explain your business, that I may go back to my own affairs."
"Ah! excuse me," said Mr. Pyncheon, quietly. "I did not mean to tax your time without a recompense. Your name, I think, is Maule,—Thomas or Matthew Maule,—a son or grandson of the builder of this house?"
"Matthew Maule," replied the carpenter,—"son of him who built the house,—grandson of the rightful proprietor of the soil."
