in his conversation than in the book itself. I had something to do with that, of course. But imagine the treatment accorded to Cromwell by this delicate, negative, obstinately judicial personality. It was the sort of thing one wants to get into a novel. It was a lesson to me—in temperament, in point of view; I went with his mood, tried even to outdo him, in the hope of spurring him to outdo himself. I only mention it because I did it so well that it led to extraordinary consequences.
We were walking up and down his lawn, in the twilight, after his Sunday supper. The pale light shone along the gleaming laurels and dwelt upon the soft clouds of orchard blossoms that shimmered above them. It dwelt, too, upon the silver streaks in his dark hair and made his face seem more pallid, and more old. It affected me like some intense piece of irony. It was like hearing a dying man talk of the year after next. I had the sense of the unreality of things strong upon me. Why should nightingale upon nightingale pour out volley upon volley of song for the delight of a politician whose heart was not in his task of keeping back the waters of the deluge,
[104]
