when all other eyes were dull? What meant the parting of her lips and the smile which always lay upon them, when no one else smiled at all? Why did she carry her head erect, when the rest walked with hanging heads? Why, again, did she sing, when no one else sang? Why did she move as if her limbs were on springs, when all the rest went slowly and heavily? These signs meant mischief. I took them for the natural accompaniments of youth. They meant more than youth: they meant dangerous curiosity; they meant—presently—Purpose. How should one of the People dare to have a Purpose unknown to the Sacred College? You shall hear.
All that followed was, in fact, due to our own blindness. We should long before have shut up every avenue which might lead the curious to the study of the Past; we should have closed the Museum and the Library altogether. We did not, because we lived in the supposition that the more the old times were investigated, the more the people would be satisfied with the Present. When, indeed, one looks at the pictures of battle, murder, cruelty, and all kinds of passion; when one reads the old books, full of foolishness which can only be excused on the plea of a life too short to have a right comprehension of anything, it is amazing that the scene does not strike the observer with a kind of horror. When, which is seldom, I carry my own memory back to the old times and see myself before I went to the Laboratory, boy-of-all-work to a Brewery, ordered here and there, working all day long with no other prospect than to be a servant for a short span of life and then to die; when I remember the people among whom I lived, poor, starving, dependent from day to day on the chance of work, or, at best, from week to week; when I think of the misery from which these poor people have been rescued, I cannot find within me a spark of sympathy for the mis-
