Declaration was made in the form in which the Zionists desired it. * * *” pp. 85-86, “Guide to Zionism,” by Jessie E. Sampter, published by the Zionist Organization of America.
- 3. “Literature and journalism are two most important educational forces, and consequently our government will become the owner of most of the journals. * * * If we permit ten private journals, we shall organize thirty of our own, and so on. This must not be suspected by the public, for which reason all the journals published by us will be EXTERNALLY of the most contrary opinions and tendencies thus evoking confidence in them and attracting our unsuspecting opponents, who thus will be caught in our trap and rendered harmless.”
This is most interesting in view of the defense now being made for so many Jewish journals. “Look at the newspapers owned and controlled by Jews,” they say; “see how they differ in policy! See how they disagree with each other!” Certainly, “externally,” as Protocol 12 says, but the underlying unity is never hard to find.
Besides, one way of discovering who are the people that have knowledge of the Jewish World problem, of who can be convinced of it, or who will write about it is just to start a paper which “externally” seems to be independent of the Jewish Question. So deeply is this thought shared by even uneducated Jews that a rumor is today widespread in the United States that the reason for the present series of articles in THE DEARBORN INDEPENDENT is the desire of its owner to forward the Jewish World Program! Unfortunately, this scheme of starting a fake opposition in order to discover where the real opposing force is, is not confined to the Jewish Internationalists, although there is every indication that it was learned from them.
This idea of a misrepresentative front for certain secret purposes is expressed at length not only with reference to the Press, but throughout the Protocols in other relations. But in Protocol 12 it is fully developed with regard to the Press, as the following quotations show.
(a) In order to force writers into such long productions that no one will read them, a tax on writing is
