THE IVORY TOWER
I really see the Bradhams thus as predatory? Predatory on the very rich, that is; with Gussie's insistence that Gray shall be and shall proceed as quite one of the very, oh the very, very, exactly in order that she may so prey? Yes and so it is that Gray learns—so it is that a part of Davey's abysses of New York financial history, is his own, their own, but his in particular, abyss of inconvenience, abyss of inability to keep it up combined with all the social impossibility of not doing so. I somehow want such values of the supporting and functional and illustrative sort in Davey that I really think I kind of want him to be the person, the person, to whom Gray gives—as a kind of recognition of the remarkable part, the precious part, don't I feel it as being? that Davey plays for him. He likes so the illuminating Davey, whom I'm quite sure I want to show in no malignant or vicious light, but just as a regular rag or sponge of saturation in the surrounding medium. He is beyond, he is outside of, all moral judgments, all scandalised states; he is amused at what he himself does, at his general and particular effect and effects on Gray, who is his luxury of a relation, as it were, and whom I somehow seem to want to show him feel as the only person in the whole medium appreciating his genius; in other words his detached play of mind and the deep "American humour" of it. Don't I seem to want him even as asking for something rather big?—a kind of a
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