THE IVORY TOWER
want that, I see it as a value; I see Davey's aspect on it as a value, I see what is determined thus between them as a value; and I seem to see most this covering by Gray of Horton in answer to the insinuations, not indignant but amused, in answer to the humorously fantastic picture, on Davey's lips, of the rate at which Horton is cleaning him out or whatever, this taking of the line of so doing and of piling up plausibilities of defence, excuse etc., so far as poor Gray can be plausible in these difficult "technical" connections, as the vivid image, the vividest, I am most concerned to give of what I show him as doing. The covering of Horton, the covering of Horton—this is much more than not giving him away; this active and positive protection of him seems to me really what my subject logically asks. Well then if that is it, is what it most of all, for the dramatic value, asks, how can this be consistently less than Gray's act of going all the way indeed? I don't know why—as it has been hovering before me—I don't want the complete vivid sense of it to take the form of an awful, a horrible or hideous, crisis on Horton's part which, under the stress of it, he "suddenly" discloses to Gray, throwing himself upon him in the most fevered, the most desperate appeal for relief. What then constitutes the nature of the crisis, what then can, or constitute the urgency of the relief, unless the fact of his having something altogether dreadful to confess;
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