338
danced outside the circle. That charm produced horns on him,*[1] and bewildered he rose up, and danced till he fell into the blazing fire. And when he had fallen, the Yakshiní dragged him half -burnt out of the fire, and devoured him with delight. Then she fixed her eye on the second Páśupata ascetic, and in the same way recited the horn-producing charm and danced. The second one also had horns produced by that charm, and was made to dance, and falling into the fire, was dragged out and devoured before the eyes of the others. In this way the Yakshiní maddened one after another at night the four ascetics, and after horns had been produced on them, devoured them. But while she was devouring the fourth, it came to pass that, being intoxicated with flesh and blood, she laid her lute down on the ground. Thereupon the bold Niśchayadatta rose up quickly, and seized the lute, and began to play on it, and dancing round with a laugh, to recite that horn-producing charm, which he had learnt from hearing it often, fixing at the same time his eye on the face of the Yakshiní. By the operation of the charm she was confused, and dreading death, as horns were just about to sprout on her forehead, she flung herself prostrate, and thus entreated him; " Valiant man, do not slay me, a helpless woman. I now implore your protection, stop the recital of the charm, and the accompanying movements. Spare me ! I know all your story, and will bring about your wish; I will carry you to the place, where Anurágapará is." The bold Niśchayadatta, when thus confidingly addressed by her, consented, and stopped the recital of the charm, and the accompanying movements. Then, at the request of the Yakshiní, he mounted on her back, and being carried by her through the air, he went to find his beloved. †[2]
And when the night came to an end, they had reached a mountain wood; there the Guhyakí bowing thus addressed Niśchayadatta; " Now that the sun has risen, I have no power to go up wards, ‡[3] so spend this day in this charming wood, my lord; eat sweet fruits and drink the clear water of the brooks. I go to my own place, and I will return at the approach of night; and then I will take you to the city of Pushkarávatí,
- ↑ * Cp. the 31st tale in Signora von Gonzenbach's Sicilianische Marchen, (p. 209) where the black figs produce horns. There is also in the same story a pipe that compels all that hear its sound to dance. See Dr. Reinhold Kohler's notes on the tale: also Grimm's No. 110 and his notes in his third volume. Cp. also Veckenstedt's Wendische Sagen, p. 65. See also Ralston's Russian Folk-Tales, p. 283: Bernhard Schmidt's Gricchische Marchen, No. 20, and Liebrecht, Zur Volkskunde, p. 484.
- ↑ † Cp. Grimm's Marchen, No. 193. The parallel between Grimm's story and that of Vidúshaka in Chapter 18 is still more striking.
- ↑ ‡ This idea, which is met with so frequently in this work, is found in China also. See Giles's Strange Stories from a Chinese Studio, Vol. I, p. 177, where Miss Li, who is a devil, hears the cock crow and vanishes.
