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music, and the shades of evening were setting in, that king did not perceive that the supposed wild elephant vas an artificial one. The elephant too for its part, lifting up its ears and Happing them, as if through delight in the music, kept advancing and then retiring, and so drew the king to a great distance. And then, suddenly issuing from that artificial elephant, a body of soldiers in full armour surrounded that king of Vatsa. When he beheld them, the king in a rage drew his hunting knife, but while he was lighting with those in front of him, he was seized by others coming up behind. And those warriors with the help of others, who appeared at a concerted signal, carried that king of Vatsa into the presence of Chandamahásena. Chandamahásena for his part came out to meet him with the utmost respect, and entered with him the city of Ujjayiní. Then the newly arrived king of Vatsa was beheld by the citizens, like the moon, pleasing to the eyes, though spotted with humiliation. Then all the citizens, suspecting that he was to be put to death, through, regard for his virtues assembled and determined to commit suicide.*[1] Then the king Chandamahásena put a stop to the agitation of the citizens, by informing them that he did not intend to put the monarch of Vatsa to death, but to win him over. So the king made over his daughter Vásavadattá on the spot to the king of Vatsa, to be taught music, and said to him- "Prince, teach this lady music; in this way you will obtain a happy issue to your adventure, do not despond." But when he beheld that fair lady, the mind of the king of Vatsa was so steeped in love that he put out of sight his anger: and her heart and mind turned towards him together; her eye was then averted through modesty, but her mind not at all. So the king of Vatsa dwelt in the concert-room of Chandamahásena's palace, teaching Vasavadatta to sing, with his eyes ever fixed on her. In his lap was his lute, in his throat the quarter-tone of vocal music, and in front of him stood Vásavadattá delighting his heart. And that princess Vásavadattá was devoted in her attentions to him, resembling the goddess of Fortune in that she was firmly attached to him, and did not leave him though he was a captive.
In the meanwhile the men who had accompanied the king returned to Kauśámbí, and the country, hearing of the captivity of the monarch, was thrown into a state of great excitement. Then the enraged subjects, out of love for the king of Vatsa, wanted to make a general †[2] assault on Ujjayiní. But Rumanvat checked the impetuous fury of the subjects by telling them that Chandamahásena was not to be overcome by force, for he was a mighty monarch, and besides that an assault was not advisable, for it might endanger the safety of the king of Vatsa; but their object must be attained by policy. Then the calm and resolute Yaugandharáyana, seeing that the
