Page:The Katunes of Maya History.djvu/64

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56

In conclusion it may be proper to make some statements as to the position which this manuscript holds in aboriginal literature, and also as to its value and use as a chronological document. In the first place we are fully convinced of its genuineness. We have not been able to examine the document itself as to the material upon which it was written, nor as to the characters of the text, nor as to external appearance, and we are not informed into whose hands it fell after it left those of its author before it came into the possession of Señor Perez. But we believe that Señor Perez had good reasons for regarding it as a document prepared in the last half of the 16th century, at a time near to that when Yucatan was conquered by the Spaniards. The language and construction belong to that epoch, as we are told. But even if it should not be an original, but a second or third copy, this would not be enough to shake our faith in the authenticity and importance of its contents. For setting aside the fact that its matter has a specific national character, and presupposes a knowledge on the part of its author which only a native could have obtained, the style of its composition indicates its national bearing.

Let us fancy ourselves in the position of the Maya writer while at work. Before him, on the table, stands the wheel for counting the Ahaues, and as he bends over the sheets containing the painted annals, his eye turns alternately from the paper to the wheel, making a careful comparison. Then he pauses and considers in his mind what expressions he must use, and afterwards begins to write. From time to time he cannot forbear, however, casting an occasional glance at the letters of the Spanish alphabet, in order to shape them correctly, for he is still a beginner in this new art. Now, perhaps he wavers for a moment, and then begins anew. The recollection of some ancient Maya song steals in upon his mind, and by the aid of a few significant sentences he incorporates the substance with his text. To interpolations of this kind we may attribute such phrases as "the disre-