THE YELLOW SIGN.
“Let the red dawn surmise
What we shall do,
When this blue starlight dies
And all is through.”
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HERE are so many things which are impossible to explain! Why should certain chords in music make me think of the brown and golden tints of autumn foliage? Why should the Mass of Sainte Cécile send my thoughts wandering among caverns whose walls blaze with ragged masses of virgin silver? What was it in the roar and turmoil of Broadway at six o’clock that flashed before my eyes the picture of a still Breton forest where sunlight filtered through spring foliage and Silvia bent, half curiously, half tenderly, over a small green lizard, murmuring: “To think that this also is a little ward of God!”
When I first saw the watchman his back was toward me. I looked at him indifferently until he went into the church. I paid no more attention to him than I had to any other man who lounged through Washington Square that morning, and when I shut my window and turned back into my studio I had forgotten him. Late in the afternoon, the day being warm, I raised the window again and leaned out to get a sniff of air. A man was standing in the courtyard of the church, and I noticed
