on the other hand she felt her superiority for she had been three weeks in Paris and he, it was easy to see, had not yet unpacked his steamer-trunk.
Her conversation was complacent. She argued with her mother upon the relative merits of the Louvre and the Bon Marché but her mother’s part of the discussion was mostly confined to the observation, “Why, Susie!”
The snuffy old gentlemen had left the room in a body, outwardly polite and inwardly raging. They could not endure the Americans, who filled the room with their chatter.
The big-headed young man looked after them with a knowing cough, murmuring, “Gay old birds!”
“They look like bad old men, Mr. Bladen,” said the girl.
To this Mr. Bladen smiled and said, “They’ve had their day,” in a tone which implied that he was now having his.
“And that’s why they all have baggy eyes,” cried the girl. “I think it’s a shame for young gentlemen———”
“Why, Susie,” said the mother, and the conversation lagged.
After a while Mr. Bladen threw down the “Petit Journal,” which he daily studied at the expense of the house, and turning to Hastings started to make himself agreeable. He began by saying, “I see you are an American.”
To this brilliant and original opening, Hastings, deadly homesick, replied gratefully, and the conversation was judiciously nourished by observations from Miss Susie Byng distinctly addressed to Mr. Bladen. In the course of events Miss Susie, forgetting to address herself exclusively to Mr, Bladen, and Hast-
