Page:The Land of the Veda.djvu/139

From Wikisource
Jump to navigation Jump to search
This page has been proofread, but needs to be validated.
THE FIRST SIGHT OF THE TAJ.
129

From these, with all their crimes, changes, and sufferings, we turn now to the peaceful and lovely monument which is India's architectural glory, and one of earth's great wonders—the existence of which is probably the only valid apology remaining for the vast revenues squandered by these irresponsible despots during so many hundred years.

About six miles before the traveler reaches the city of Agra the dome and minarets of the world-renowned Taj Mahal burst upon his view from behind a grove of fruit-trees near the road. The effect is wonderful! The long-anticipated pleasure of beholding earth's most beautiful shrine is now within his reach, and the gratified and delighted sight rests upon this first view of its harmony of parts, its faultless congregation of architectural beauties, with a kind of ecstasy. Of the thousands who have traveled far to gaze upon it, it may safely be asserted that not one of the number has been disappointed in the examination of its wondrous beauty. The Queen of Sheba would probably have admitted, had she seen it, that the “half had not been told her.”

We first look at it from the north side, on the river bank, where the scene is fully presented. The building to the right of the Taj is a Mosque for religious services, and that to the left is a Travelers' Rest House, where visitors can be accommodated. We next go around to the gate of entrance on the other side. The inclosure, including the gardens and outer court, is a parallelogram of one thousand eight hundred and sixty feet by more than one thousand feet, with a system of fountains, eighty-four in number, along the central avenue, and a marble reservoir in the middle about forty feet square, in which are five additional fountains, one in the center, and one at each corner. On either side of this beautiful sheet of water, into which are falling the silvery jets of spray from the fountains, are rows of dark Italian cypress, significant of the great design of the shrine. The river Jumna flows mildly by, and the birds, encouraged by the delicious coolness and shade of the place, forget their usual lassitude, and pour forth their songs, while the odor of roses, and of the orange, and lemon, and tamarind trees, perfume the air.