sure that he did not wear an apron. Now Dalrymple had thought of all this, and had made up his mind to work to-day without his apron; but when arranging his easel and his brushes, he had put it on from force of habit, and was now disgusted with himself as he remembered it. He put down his brush, divested his thumb of his palette, then took off his cap, and after that untied the apron.
"Conway, what are going to do?" said Mrs. Broughton.
"I am going to ask Clara Van Siever to be my wife," said Dalrymple. At that moment the door was opened, and Mrs. Van Siever entered the room.
Clara had not risen from her kneeling posture when Dalrymple began to put off his trappings. She had not seen what he was doing as plainly as Mrs. Broughton had done, having her attention naturally drawn towards her Sisera; and, besides this, she understood that she was to remain as she was placed till orders to move were given to her. Dalrymple would occasionally step aside from his easel to look at her in some altered light, and on such occasions she would simply hold her hammer somewhat more tightly than before. When, therefore, Mrs. Van Siever entered the room Clara was still slaying Sisera, in spite of the artist's speech. The speech, indeed, and her mother both seemed to come to her at the same time. The old woman stood for a moment holding the open door in her hand. "You fool!" she said, "what are you doing there, dressed up in that way like a guy?" Then Clara got up from her feet and stood before her mother in Jael's dress and Jael's turban. Dalrymple thought that the dress and turban did not become her badly. Mrs. Van Siever apparently thought otherwise. "Will you have the goodness to tell me, miss, why you are dressed up after that Mad Bess of Bedlam fashion?"
The reader will no doubt bear in mind that Clara had other words of which to think besides those which were addressed to her by her mother. Dalrymple had asked her to be his wife in the plainest possible language, and she thought that the very plainness of the language became him well. The very taking off of his apron, almost as he said the words, though to himself the action had been so distressing as almost to overcome his purpose, had in it something to her of direct simple determination which pleased her. When he had spoken of having had a nail driven by her right through his heart, she had not been in the least gratified; but the taking off of the apron, and the putting down of the palette, and the downright way in which he had called her Clara Van Siever,—attempting to be neither sentimental with Clara, nor polite with Miss Van Siever,—did please her. She had often said to
