possession of Charlotte, leaving me to walk with her mother. However, I was not unhappy; the girl was before me and I had her to talk about. We prolonged our walk, Mrs. Marden kept me, and presently she said she was tired and must sit down. We found a place on a sheltered bench—we gossiped as the people passed. It had already struck me, in this pair, that the resemblance between the mother and the daughter was wonderful even among such resemblances—the more so that it took so little account of a difference of nature. One often hears mature mothers spoken of as warnings—signposts, more or less discouraging, of the way daughters may go. But there was nothing deterrent in the idea that Charlotte, at fifty-five, should be as beautiful, even though it were conditioned on her being as pale and preoccupied, as Mrs. Marden. At twenty-two she had a kind of rosy blankness and she was admirably handsome. Her head had the charming shape of her mother's, and her features the same fine order. Then there were looks and movements and tones (moments when you could scarcely say whether it were aspect or sound), which, between the two personalities, were a reflection, a recall.
These ladies had a small fortune and a cheerful little house at Brighton, full of portraits and tokens and trophies (stuffed animals on the top of bookcases, and sallow, varnished fish under glass), to which Mrs. Marden professed herself attached by pious memories. Her husband had been "ordered" there in ill-health, to spend the last years of his life, and she had already mentioned to me that it was a place in which she felt herself still under the protection of his goodness. His goodness appeared to have been great, and she sometimes had the air of defending it against mysterious imputations. Some
